Howard's Savage Sword #5: "Dark Agnes" (with Paul Tobin, anthology, Dark Horse, 2012) 5 #10: "Arcane's Lullaby" (with Scott Snyder, DC Comics, 2012) Necrologue #1-5 (announced for 2013 unreleased).The Black Beetle (script and art, Dark Horse):.Outlaw Territory Volume 2: "Lullaby" (script and art, anthology graphic novel, Image, 2011)."Captain America and Black Widow" (with Cullen Bunn, in #636-640, 2012–2013).The Most Dangerous Man Alive #524 (2011).Black Panther (with David Liss, Marvel):."The Face in the Glass" (with Scott Snyder and Jock, in vol."Skeleton Cases" (with Scott Snyder, in vol.Garrison #1-6 (with Jeff Mariotte, Wildstorm, 2010).Green Hornet: Year One #1-6 (colors on Aaron Campbell, written by Matt Wagner, Dynamite, 2010).Scalped #27: "High Lonesome, Part Three: The Ballad of Baylis Earl Nitz" (with Jason Aaron, Vertigo, 2009).The Fantastic Worlds of Frank Frazetta: Dracula Meets the Wolfman (with Steve Niles, one-shot, Image, 2009).Tales of the Starlight Drive-in: "1966" and "1972" (with Michael San Giacomo, anthology graphic novel, Image, 2008).Sorrow #1-4 (with Rick Remender and Seth Peck, Image, 2007–2008).Left on Mission #1-5 (with Chip Mosher, Boom! Studios, 2007).Fear Agent #11: "Along Come a Spider" (with Rick Remender, Image, 2007).24Seven Volume 2: "Confession" (script and art, anthology graphic novel, Image, 2007).Sea of Red #11-13 (layouts for Paul Harmon, written by Rick Remender, Image, 2006).The Black Coat (with Adam Cogan and Ben Lichius, Ape Entertainment):.This series has already had wide critical acclaim and has been made an ongoing series as a part of Dark Horse Comics' superhero push. Most recently he has been focusing on The Black Beetle, a series he originally created for his Pulp Sunday blog, which is now being published by Dark Horse Comics. He has worked as an interior artist for both Marvel Comics ( Black Panther: The Man without Fear, Captain America and Bucky, Hawkeye) and DC Comics ( Detective Comics for The Black Mirror story arc, which won the 2012 Eisner for best ongoing series). His cover work is particularly noteworthy, he won an Eisner for it in 2012. He runs a blog, Pulp Sunday, dedicated to this kind of work. Within the industry he has become known for his pulp and retro-inspired style. ( May 2012)įrancesco Francavilla made his professional comics debut in the Italian comics anthology Amazing Comics.
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